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→起源と発展
== 起源と発展 ==
イナンナは、他のどの神よりも明確で矛盾した側面を持つため、古代シュメールの多くの研究者に問題を提起してきた<ref>Vanstiphout, 1984, pages225–228</ref>。
Inanna has posed a problem for many scholars of ancient Sumer due to the fact that her sphere of power contained more distinct and contradictory aspects than that of any other deity.{{sfn|Vanstiphout|1984|pages=225–228}} Two major theories regarding her origins have been proposed.{{sfn|Vanstiphout|1984|page=228}} The first explanation holds that Inanna is the result of a [[syncretism]] between several previously unrelated Sumerian deities with totally different domains.{{sfn|Vanstiphout|1984|page=228}}{{Sfn|Brandão|2019|p=43}} The second explanation holds that Inanna was originally a [[Semitic deity]] who entered the Sumerian pantheon after it was already fully structured, and who took on all the roles that had not yet been assigned to other deities.{{sfn|Vanstiphout|1984|pages=228–229}}
As early as the [[Uruk period]] ({{circa}} 4000 – {{circa}} 3100 BCE), Inanna was already associated with the city of [[Uruk]].{{sfn|Black|Green|1992|page=108}} During this period, the symbol of a ring-headed doorpost was closely associated with Inanna.{{sfn|Black|Green|1992|page=108}} The famous [[Uruk Vase]] (found in a deposit of cult objects of the Uruk III period) depicts a row of naked men carrying various objects, including bowls, vessels, and baskets of farm products,{{sfn|Suter|2014|page=551}} and bringing sheep and goats to a [[female figure]] facing the ruler.{{sfn|Suter|2014|pages=550–552}} The female stands in front of Inanna's symbol of the two twisted reeds of the doorpost,{{sfn|Suter|2014|pages=550–552}} while the male figure holds a box and stack of bowls, the later [[Cuneiform script|cuneiform]] sign signifying the [[EN (cuneiform)|''En'']], or high priest of the temple.{{sfn|Suter|2014|pages=552–554}}
