差分

アポロは「ムシケ」の神として、すべての音楽、歌、踊り、詩を司る<ref>''Mousike'' (the art of the Muses) was an integral part of life in the ancient Greek world, and the term covered not only music but also dance, lyrics, theatre and the performance of poetry.</ref>。アポローンは弦楽器の発明者であり、ミューズの仲間でもあり、祝祭の際にはミューズの合唱団長として活躍する。竪琴はアポローンと共通の属性である。。アポローンは弦楽器の発明者であり、ミューズの仲間でもあり、祝祭の際にはミューズの合唱団長として活躍する。竪琴はアポローンと共通の属性である。ヘレニズム時代、特に紀元前5世紀には、アポローンはアポローン・ヘリオースとして、ギリシャ人の間で太陽の擬人化であるヘリオースと同一視されるようになった<ref>For the iconography of the Alexander–Helios type, see H. Hoffmann, 1963. "Helios", in ''Journal of the American Research Center in Egypt'' '''2''', pp. 117–23; cf. Yalouris 1980, no. 42.</ref>。

As the god of ''mousike'', Apollo presides over all music, songs, dance and poetry. He is the inventor of string-music, and the frequent companion of the Muses, functioning as their chorus leader in celebrations. The lyre is a common [[#Attributes and symbols|attribute of Apollo]]. In Hellenistic times, especially during the 5th century BCE, as ''Apollo Helios'' he became identified among Greeks with [[Helios]], the personification of the Sun.<ref>For the iconography of the Alexander–Helios type, see H. Hoffmann, 1963. "Helios", in ''Journal of the American Research Center in Egypt'' '''2''', pp. 117–23; cf. Yalouris 1980, no. 42.</ref> In Latin texts, however, there was no [[conflation]] of Apollo with [[Sol (Roman mythology)|Sol]] among the classical Latin poets until 1st century CE.<ref>Joseph Fontenrose, "Apollo and Sol in the Latin poets of the first century BC", ''Transactions of the American Philological Association'' '''30''' (1939), pp 439–55; "Apollo and the Sun-God in Ovid", ''American Journal of Philology'' '''61''' (1940) pp 429–44; and "Apollo and Sol in the Oaths of Aeneas and Latinus" ''Classical Philology'' '''38'''.2 (April 1943), pp. 137–138.</ref> Apollo and Helios/Sol remained separate beings in literary and mythological texts until the 5th century CE.