差分

ノヌスはパーンがエーコーを獲得することはないと断言しているが、アプレイウスの『黄金の驢馬』ではパーンがエーコーを抱きかかえ、あらゆる種類の歌を反復するようニンフに教えていると描かれている<ref>Apuleius, Translated by P. G. Walsh (2008). ''The Golden Ass''. Oxford University Press. Page 94, Book 5, para. 25. ISBN:0199540551</ref>。スダ・エーコーも同様に、パーンの子イニクスを産むと記されている<ref name="Sudias"/>。他の断片には、次女イアンベーのことが書かれている<ref name="OCD"/>。

===''The Lay of Narcissus''===

''The Lay of Narcissus'', one of many titles by which the work is known, is Norman-French verse narrative written towards the end of the 12th century. In the four manuscripts that remain, an unknown author borrows from the Echo and Narcissus of Ovid to create a story better suited to the needs of his time.<ref name="Dwyer">Dwyer, Richard (1978), ''Review: Narcisse: Conte ovidien français du XIIe siècle by Martine Thiry-Stassin, Madeline Tyssens.'' Speculum Vol. 53, No. 2, p.417</ref>

===''The Romance of the Rose''===

''[[Roman de la Rose|The Romance of the Rose]]'' is a medieval French poem, the first section of which was written by [[Guillaume de Lorris]] in around 1230. The poem was completed by [[Jean de Meun]] in around 1275. Part of a much larger narrative, the tale of Echo and Narcissus is relayed when the central figure stumbles across the pool wherein Narcissus first glimpsed his own reflection.<ref name="Guillaume 23">[[Guillaume de Lorris]] and [[Jean de Meun]] (2008). ''The Romance of the Rose''. Oxford University Press. Page 23. {{ISBN|0199540675}}</ref>

Guillaume's rendition builds on the themes of courtly love emphasised in the ''Lay'' and moves further away from Ovid's initial account. The curse of Athena is absent entirely, and the tale is overtly moralised. Unlike in the ''Lay'', however, this moral message is aimed solely at women; this despite the fact that the offending behaviour is perpetrated by Narcissus not Echo.<ref>Harrison, ''The Romance of the Rose'', 328-329</ref>

== 概説 ==