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ケルヌンノスに関連する図像には、牡鹿と雄羊の角を持つ蛇が描かれていることが多い。あまり多くはないが、牡牛（ランス）、犬、ネズミもいる。ケルヌンノスに関連する図像には、牡鹿と雄羊の角を持つ蛇が描かれていることが多い。あまり多くはないが、牡牛（ランス）、犬、ネズミもいる<ref>https://books.google.com/books?id=VZkTDQAAQBAJ&q=Iconography+of+cernunnos&pg=PT148, Gods of the Celts, Green Miranda, 2011-09-30, The History Press, isbn:9780752468112</ref>。グンデストラップの大釜に描かれた彼の像から、ケルヌンノスを「動物の神」または「野生物の神」と表現する学者もおり、ミランダ・グリーンは彼を「自然と実りの平和な神」<ref>Green, Miranda (1992) ''Animals in Celtic Life and Myth'', p. 228.</ref>と表現し、しばしば動物に囲まれて描かれる伝統的なシャーマンを思わせる形で座っているようだと述べている<ref>Caesar's Druids: story of an ancient priesthood, Aldhouse-Green, Miranda J., Yale University Press, 2010, isbn:9780300165883, location:New Haven, pages86, oclc:808346501</ref>。
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「船乗りの柱」には、鹿の角を持つ像が描かれており、二つの角にはトルクがぶら下がっていて、''ケルヌンノス''（[C]ernunnos）の銘が一緒に刻まれている。 レリーフの下部は欠けているが、その寸法から、神は伝統的に「仏陀の姿勢（Buddhic posture）」と呼ばれる描写で、あぐらをかいて座っていたと考えられ<ref>Blázquez Martínez, J. M. (1957). ''Una réplica desconocida al Cernunnos de Val Camonica: el Cernunnos de Numancia''. Revue d'Études Ligures, 23, fasc. 3-4, 1957, pp. 294-298.</ref>、グンデストラップの大釜の角のある像と直接的に類似したものとなっている<ref>https://books.google.com/books?id=m8-IAgAAQBAJ&q=Iconography+of+cernunnos+Gundestrup+cauldron&pg=PA89, Symbol and Image in Celtic Religious Art, Green Miranda, 2003-10-03, Routledge, isbn:9781134893942</ref>。
Iconography associated with Cernunnos is often portrayed with a [[stag]] and the [[ram-horned serpent]]. Less frequently, there are [[bull]]s (at [[Rheims]]), [[dog]]s and [[rat]]s.<ref>{{Cite book|url=https://books.google.com/books?id=VZkTDQAAQBAJ&q=Iconography+of+cernunnos&pg=PT148|title=Gods of the Celts|last=Green|first=Miranda|date=2011-09-30|publisher=The History Press|isbn=9780752468112|language=en}}</ref> Because of the image of him on the Gundestrup Cauldron, some scholars describe Cernunnos as the [[Lord of the Animals]] or the Lord of Wild Things, and Miranda Green describes him as a "peaceful god of nature and fruitfulness"<ref>Green, Miranda (1992) ''Animals in Celtic Life and Myth'', p. 228.</ref> who seems to be seated in a manner that suggests traditional shamans who were often depicted surrounded by animals.<ref>{{Cite book|title=Caesar's Druids: story of an ancient priesthood|last=Aldhouse-Green|first=Miranda J.|publisher=Yale University Press|year=2010|isbn=9780300165883|location=New Haven|pages=86|oclc=808346501}}</ref> Other academics such as Ceisiwr Serith describes Cernunnos as a god of bi-directionality and mediator between opposites, seeing the animal symbolism in the artwork reflecting this idea.<ref>{{Cite journal|last=Fickett-Wilbar|first=David|date=2003|title=Cernunnos: Looking a Different Way|journal=Proceedings of the Harvard Celtic Colloquium|volume=23|pages=80–111|issn=1545-0155|jstor=25660728}}</ref>
The ''Pilier des nautes'' links him with sailors and with commerce, suggesting that he was also associated with material wealth as does the coin pouch from the Cernunnos of Rheims (Marne, Champagne, France)—in antiquity, Durocortorum, the ''civitas'' capital of the [[Remi]] tribe—and the stag vomiting coins from Niedercorn-Turbelslach (Luxembourg) in the lands of the [[Treveri]]. The god may have symbolized the fecundity of the [[Red Deer#Distribution and habitat|stag-inhabited forest]].
