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マルティン・ルターは『卓話』の中で、ルセルベルク（ルクセンブルグ）のメリュジーヌをサキュバスあるいは悪魔と表現している。マルティン・ルターは『卓話』の中で、ルセルベルク（ルクセンブルグ）のメリュジーヌをサキュバスあるいは悪魔と表現している。ルターはメリュジーヌのような物語を信じ、悪魔が女性の姿で現れて男性を誘惑しているとした<ref>{Irmischer Johann Konrad, https://books.google.com/books?id=vMUOAQAAMAAJ, Dr. Martin Luther's sämmtliche Werke, Volumes 60-62, Heyder & Zimmer, 1854, pages37</ref>。
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=== ドイツ ===
In his [[Table Talk (Luther)|Table Talks]], [[Martin Luther]] mentioned Melusina of Lucelberg (Luxembourg), whom he described as a [[succubus]] or the devil. Luther believed in stories like Melusine and attributed them to the devil appearing in female form to seduce men.<ref>{{Cite book |last=Irmischer |first=Johann Konrad |url=https://books.google.com/books?id=vMUOAQAAMAAJ |title=Dr. Martin Luther's sämmtliche Werke, Volumes 60-62 |publisher=Heyder & Zimmer |year=1854 |pages=37}}</ref>
The story of Melusine strongly influenced [[Paracelsus]]'s writings on [[Elemental|elementals]] and especially his description of water spirits.<ref>{{Cite book |last=Elmes |first=Melissa Ridley |title=Melusine's Footprint: Tracing the Legacy of a Medieval Myth |publisher=Brill |year=2017 |pages=94-108}}</ref> This, in turn, inspired [[Friedrich de la Motte Fouqué]]'s [[novella]] ''Undine'' (1811), which led to adaptations and references in works such as [[Jean Giraudoux]]'s play ''[[Ondine (ballet)|Ondine]]'' (1939), [[Hans Christian Andersen]]'s fairy tale [[The Little Mermaid]] (1837), and [[Antonín Dvořák]]'s opera ''[[Rusalka (opera)|Rusalka]]'' (1901).
