差分

19世紀後半になると、パーンは文学や芸術の世界でますますよく知られるようになった。パトリシア・メリヴェールは、1890年から1926年にかけて、「パーンというモチーフへの関心が驚くほど復活した。」と述べている<ref>Merivale, Patricia. ''Pan the Goat-God: his Myth in Modern Times'', Harvard University Press, 1969, p.vii.</ref>。詩や小説、児童書にも登場し、ピーターパンという人物の名前にも言及されている<ref>Lurie, Alison, Afterword in ''Peter Pan'', Signet, 2003, page198, isbn:9780451520883, https://books.google.com/books?id=6m9UTvQq7ZsC&pg=PA198</ref>。

In the late 19th century Pan became an increasingly common figure in literature and art. Patricia Merivale states that between 1890 and 1926 there was an "astonishing resurgence of interest in the Pan motif". He appears in poetry, in novels and children's books, and is referenced in the name of the character [[Peter Pan]].<ref>{{cite book|author=Lurie, Alison|title=Afterword in ''Peter Pan''|publisher=[[Signet Books|Signet]]|date=2003|page=198|isbn=9780451520883|url=https://books.google.com/books?id=6m9UTvQq7ZsC&pg=PA198}}</ref> In the [[Peter Pan]] stories, Peter represents a golden age of pre-civilisation in both the minds of very young children, before enculturation and education, and in the natural world outside the influence of humans. Peter Pan's character is both charming and selfish emphasizing our cultural confusion about whether human instincts are natural and good, or uncivilised and bad. [[J. M. Barrie]] describes Peter as ‘a betwixt and between’, part animal and part human, and uses this device to explore many issues of human and animal psychology within the Peter Pan stories.<ref>{{cite book|title=Peter Pan and the Mind of J M Barrie|last=Ridley|first=Rosalind|publisher=Cambridge Scholars Publishing|year=2016|isbn=978-1-4438-9107-3|location=UK}}</ref>